零五网 全部参考答案 亮点给力提优课时作业本答案 2026年亮点给力提优课时作业本九年级英语下册译林版 第17页解析答案
四、阅读理解。(24 分)
A(2025·连云港)
An hour before the show, the backstage(后台) was busy and noisy. Young male Beijing opera artists in their 20s were applying makeup, adjusting costumes, stretching, and clearing their throats. The air was filled with the sounds of traditional Chinese instruments.

"These young people started learning with me when they were just kids—now they're adults, leading the shows themselves," says Yang Shaochun, an 85-year-old Beijing opera master.
This weekend, four shows will be put on at Beijing People's Theatre. Young wuxi artists will play the lead roles.
Wuxi, or martial(武术的) play, is the base of the fighting and movement part in Beijing opera. Wei Pengyu, a 29-year-old actor, was attracted to Beijing opera as a child—not by the music or stories at first, but by the colourful, amazing facial masks that brought the characters to life. At 14, he began training in Beijing opera, especially in wusheng—a male role type. "For me, stepping into the role of a hero is a dream come true," he says.
"Playing wuxi isn't just about action—it's about expressing the character's courage, justice (正义), loyalty and strength through movements," says Xu Zhouyi, 25, another male actor.
Later that evening, a classic piece San Cha Kou was played by two young actors, Wu Zeyu and Shu Jiaxing. The viewers were attracted to the great scene and cheered for the actors' excellent martial art movements.
Wu and Shu practised together for nearly a year. "San Cha Kou is a test of trust between two actors. We have to read each other's energy—know when one is speeding up or slowing down. Every movement must be perfectly counted to avoid real crashes while still looking dangerous," says Wu.
(
B
)1. What does the underlined part mean in Paragraph 1?
A. Asking the master for help.
B. Getting ready for the show.
C. Having a martial art lesson.
D. Learning a new instrument.
(
C
)2. Why does the writer mention Wei Pengyu and Xu Zhouyi?
A. To share their life experiences.
B. To compare their training results.
C. To show their understanding of wuxi.
D. To express their love for facial masks.
(
A
)3. What message can we learn from the successful show of San Cha Kou?
A. Practice makes perfect.
B. One is never too old to learn.
C. Great hopes make great man.
D. Friends should be few but good.
(
B
)4. What is a suitable title for the text?
A. Wuxi movements impress viewers
B. Young actors shine in Beijing opera
C. Wuxi actors celebrate after graduating
D. A Beijing opera master opens a school
答案:1. B 2. C
3. A【解析】根据最后一段内容可知,Wu Zeyu和Shu Jiaxing为了表演《三岔口》练习了近一年,他们需要相互配合,精准计算每一次移动,在避免真实碰撞的同时使动作看起来惊险刺激,这体现了“熟能生巧”的道理。
4. B【解析】通读全文可知,本文主要介绍了年轻的京剧男演员们在舞台上的出色表现,以及他们对武戏的理解和为此付出的努力,则B项“年轻男演员在京剧中大放异彩”最适合作文章标题。
解析:
翻译:
四、阅读理解。(24分)
A(2025·连云港)
演出前一小时,后台忙碌而嘈杂。二十多岁的年轻京剧男演员们正在化妆、调整戏服、做拉伸运动并清嗓子。空气中弥漫着中国传统乐器的声音。
“这些年轻人还是孩子的时候就开始跟我学习了——现在他们都成年了,能自己领衔演出了,”85岁的京剧大师杨少春说。
这个周末,北京人民剧院将上演四场演出。年轻的武戏演员将担任主角。
武戏,即武术表演,是京剧中打斗和动作部分的基础。29岁的演员魏鹏宇小时候就被京剧吸引——起初不是被音乐或故事吸引,而是被那些色彩斑斓、令人惊叹的脸谱所吸引,这些脸谱让人物栩栩如生。14岁时,他开始学习京剧,尤其专注于武生——一种男性角色类型。“对我来说,扮演英雄的角色是梦想成真,”他说。
“演武戏不只是做动作——而是通过动作来表达角色的勇气、正义、忠诚和力量,”另一位25岁的男演员徐周一说。
那天晚上晚些时候,两位年轻演员吴泽宇和舒佳星表演了经典剧目《三岔口》。观众们被精彩的场面吸引,为演员们出色的武术动作欢呼。
吴和舒一起练习了将近一年。“《三岔口》是对两位演员之间信任的考验。我们必须读懂彼此的节奏——知道对方什么时候加速,什么时候减速。每个动作都必须精确计算,以避免真正的碰撞,同时还要看起来很惊险,”吴说。
( )1. 第一段中划线部分是什么意思?
A. 向大师求助。
B. 为演出做准备。
C. 上武术课。
D. 学习一种新乐器。
( )2. 作者为什么提到魏鹏宇和徐周一?
A. 分享他们的人生经历。
B. 比较他们的训练成果。
C. 展示他们对武戏的理解。
D. 表达他们对脸谱的喜爱。
( )3. 我们能从《三岔口》的成功演出中学到什么?
A. 熟能生巧。
B. 活到老,学到老。
C. 伟大的希望造就伟大的人。
D. 朋友宜少不宜多。
( )4. 这篇文章合适的标题是什么?
A. 武戏动作打动观众
B. 年轻演员在京剧中大放异彩
C. 武戏演员毕业后庆祝
D. 一位京剧大师开办学校
上一页 下一页